2018 © Julie Héneault: graphic design, other
1/3     Close-up A4 presentation leaflet
2/3     A4 presentation leaflet
3/3     Logo variations

La Verrerie. Graphic identity for artistic research residency. Ongoing.

1/8     Soft cover
2/8     Dust jacket, inkjet, technical paper
3/8     Inside spread, p.20–21
4/8     Inside spread, p.12–13
5/8     Inside spread, p.80–81
6/8     Inside spread, p.84–85
7/8     Inside spread, p.8–9
8/8     Inside spread, p.138–139

Papi de la Montagne. Personal Project. Indigo digital offset, edition of 40, 196 pages, 13cm x 18cm, 2017.

1/5     Invitation letter
2/5     Hors d’oeuvre; Oysters Rockefeller, Zuchini Flowers
3/5     Apéritif, Blinis Domidoff à la Babette
4/5     Dessert, French and Swiss Meringues, Macarons and fruit jewels
5/5     Décor, Sugar birdfish

Re: Invitation. With Physical Culture. Event for New Year’s eve 2017.
Composition of a menu where every guest was attributed with a piece of the feast to prepare, a task to do and/or object to bring.

1/9     Publication and exhibition guide
2/9     Inside spread
3/9     Inside spread
4/9     Inside spread
5/9     Group presentation
6/9     Detail
7/9     Invitation and detail
8/9     Detail
9/9     Detail

La liste des préparatifs. Workshop at the ISBA, by invitation of Thomas Bizarri. With Physical Culture. October 2017.
Written, visual and spatial experiments around the theme of the list, leading to a publication and an event.

1/5     Cover
2/5     Inside spread
3/5     Inside spread
4/5     Inside spread
5/5     Inside spread

Collection Hoorn. Book design. Offset, edition of 300, 128 pages, 12cm x 16.5cm, 2017.
Publication for artist collective Mahony with a text by Irene de Craen, after their residency at Hotel Maria Kapel. In the summer of 2015 artist collective Mahony resided at Hotel Maria Kapel (HMK) in Hoorn, the Netherlands in order to research the town’s celebrations of ‘400 years Cape Horn’. The research focused on the creation of self-image in relation to history and its representation, and how these are reflected in current discussions in the Netherlands concerning race and the telling of history, in particular Dutch colonial history. This publication is an account of that research. Images by Mahony and text by Irene de Craen. Order here.

1/3     Le Rideau, exhibited during the Keys Kiss event “Salsa”
1/3     Le Rideau, exhibited during “How Do You Know Tomorrow Has Started If There's No Night?”, curated by Ekaterina Shcherbakova, Villa Belleville.
1/3     Detail

“Plans Change, That’s What Happens” (Le Rideau). With Physical Culture. Sprayed penne pastas, ropes and wood beams. 3m60 x 3m. Spring 2017.
Le Rideau was produced during a residency at Villa Belleville. The beaded pasta curtain is a testimony of our time and labour in the room. The piece resonates with the verticality of the space and functions as a constantly moving image, stretched and deformed by the coming and going of people. The curtain served as a backdrop for poetry reading, a décor for a bar, and a dividing wall for an exhibition space.

1/6     Instructions for Keys Kiss event “Dusk Sky”
2/6     Instructions for Keys Kiss event “Salsa”
3/6     Space set-up for “Dusk Sky”
4/6     Drinks preparations for “Dusk Sky”
5/6     Open atelier. Performative preparations for the event “Castor et Pollux”, an evening of whispered reading and beading
6/6     Prints made from found fabrics and used for the communication of each event

Keys Kiss. Space and program of sensorial experimentations. Atelier in the Villa Belleville and lent by the city of Paris. With Physical Culture. April and May 2017.
With presentations by Camille Doiseau, Louise Moins, Margaux Parillaud, Paul Bernhard, Line-Gry Hørup, Ursula Marcussen, sophrologist Julia Bortot, and poetess Hsia Yu.

1/4     Covers for issues 001 and 002
2/4     Covers for issues 003 and 005
3/4     Inside spread Studio Notes 001
4/4     Inside spread Studio Notes 002

HMK Studio Notes. Layout template. A5, 16 pages. 2017.
Small publications with an interview between the artist(s) and curator Irene de Craen, images of the working process, and exhibition in the Maria chapel. Studio Notes are available for free online, or order here.

1/6     Front and back A2 poster
2/6     B2 posters
3/6     Bookmark flyers, risography
4/6     A3 poster, risography
5/6     A3 poster in the exhibition “Tribute to Julian B. Coco” by Katrein Breukers and Tim Breukers
6/6     Poster and postcard for Alanna Lawley’s exhibition “What is”, and back of the postcard for “A Second Exhibition” curated by Marie Martraire

Hotel Maria Kapel, residency, exhibition and cinema space. Declination of Identity. Posters, flyers, social medias. 2016–2017.

1/2     Folded package with sprayed fabric and luminescent goodies
2/2     Sprayed latex fabric

Daisy0634217763. Outdoor textile installation, conceptual goodies and sound piece. 2017.
I.c.w Raoul Audouin and Paul Bernhard. Farewell piece presented during the exhibition Maxi Hard Lounge Discount 5K, at PC artspace, Annecy, FR.

1/6     A1 stickers poster
2/6     Letterheads
3/6     Print Capsule, a web module developed to generate the campaign elements for each exhibition (poster, stickers, postcards, floorplan and letterheads)
4/6     Stickers
5/6     Floorplan
6/6     Sticker

PC, espace d'art contemporain. Identity.
Visual identity made i.c.w Raoul Audouin and Paul Bernhard. Typography G16 by Bold Decisions. The identity is centred around a monogram logotype and a strong typeface. For each exhibition a visual is picked by the curator. As a response to the lack of ressource, the printed campaigns are generated thanks to the print capsule.

1/7     Cover
2/7     Inside spread, p.1
3/7     Inside spread, p.4–5
4/7     Inside spread, p.16–17
5/7     Inside spread, p.26-27
6/7     Inside spread, p.46-47
7/7     Inside spread, p.54-55

Fool’s Bells Fall. Publication. Risography, edition of 150, 64 pages, 17cm x 27cm. 2016.
Publication accompanying the exhibition Fool's Bells Fall at Hotel Maria Kapel.
Texts and images by Avril Corroon, Renèe Helèna Browne, Tara McKeon, Kerry Guinan, Saoirse Wall, Eimear Walshe and introduction by Irene de Craen.

1/4     Exhibition view
2/4     Wall detail
3/4     all detail
4/4     Wall detail

Vitrines also die. Scenography made for and i.c.w Lisa Sudhibhasilp. Graduation Show, Gerrit Rietveld Academie. July 6, 2016 – July 10, 2016.
Glued pages on the outside walls of the installation creating links between the objects displayed and their captions. To each item corresponds a page, a number, and a text selected or written by the artist.

2/7     Cover, silkscreen
1/7     Inside spread, p.6–7
3/7     Inside spread, p.36–37
4/7     Inside spread, p.56–57
5/7     Inside spread, p.62-63
6/7     Inside spread, p.68-69
7/7     Inside spread, p.88-89

Finissage. Book. Offset printed and silkscreened cover, edition of 250. 128 pages, 13.5cm x 20.5cm, 2016. With Physical Culture. With contributions from Paul Bernhard, Raoul Audouin, Jérémie Rentien and Robin Bantigny. Order via hello@physicalculture.nl.
Publication from and after our residency at the Art Department of Subbacultcha, Amsterdam. This book functions as the third and last event of our residency at Da Costakade. The first part of the book compiles excerpts of found and written texts shared during and after the residency. The image part documents the wall-to-wall carpet presented during the first event (1. The opening, 17th Dec 2015) and a re-enactment of the series of exercises performed during the second event (2. The reception, 31st Dec 2015). For the occasion of the launch we organised a small reading series at San Serriffe (Amsterdam).

1/2     Carpet view and series of exercice 1: warm-up
2/2     Carpet view and series of exercice 1: warm-up

Residency at the Art Department, Da Costakade, Amsterdam. December 2015 and January 2016. With Physical Culture.
During the timeframe of the residency the different facets of the basement were activated; a place where societies gather, a provisional home, an exercising room and an visual archive department. It became an enclosed environment where the rules of agenda and schedule were altered. First, a carpet was executed by hand, to fit the entire ground surface; a basis and a witness for researches and public openings. 3 build-in closets already present in the basement opened for each event; the Opening, the Reception and the Finissage. Researches circulated around the themes of renewal of time, in the context of the end of the year, and the idea of training. A series of stretching exercices were performed during the last day of the year, as a resistance to show a prefixed and final result. The Finissage was presented in another space than the basement, at San Serriffe (Amsterdam).
In the meantime, we coded physicalculture.nl/agenda—a display of visual input turned output as a modern day convertible calendar.

1/3     Installation detail
2/3     Installation detail
3/3     Installation detail

Wibautstraat 3b. Exhibition design for photographer Lili Tegtmeyer’s research project at Hva, Amsterdam. HvA Wibauthuis, December 2015.

1/2     Inside spread
2/2     Inside spread

Masks casts and interactions. Publication. 26 pages, 18.5cm x 27.5cm, 2014.
Publication on the research project of photographer Lisa Sudhibhasilp. This inventory functions as a personal index and complements her video and photo installation.

1/3     Cover and captions annexe
2/3     Inside spread
3/3     Inside spread

Ritual without Myth. Publication. Personal research. 16 pages, 18.5cm x 27.5cm. 2013.
Imaginary catalogue for an invented exhibition. Along with some Brazilian artists such as Amilcar de Castro, Franz Weissmann, Lygia Pape and the poet Ferreira Gullar, Lygia Clark co-founded the Neo-Concretist art movement. The Neo-Concretists believed that art ought to be subjective, organic and not theorised. During the 1970's, Clark explored the role of sensory perception and psychic interaction that the participants would have with her artwork. She referred to this as the "Ritual without Myth". In the final years of her career, Clark focused on psychotherapy and the use of art as a healing method.

2/6     Inside spread, p.100–101
3/6     Inside spread, p.110–111
4/6     Inside spread, p.112–113
5/6     Inside spread, p.114-115
6/6     Inside spread, endnotes

Legends. Book. 154 pages, 12.5cm x 19cm. Personal Research. 2014.
Visual encyclopedia of real and unreal forms or hybrids.
Against a classified and organised approach of knowledge, this book seeks the idea of a lineal evolution. All the image material is probed and selected from the internet. The text is written by borrowing from various sources; from advertising to Wikipedia.
This work was presented during the Graduation show accompanied by a screen installation with an audio book.